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TIPS & TRICKS & LIGHTING

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PKM IMAGES
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Glendale, California
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Top TIPS & TRICKS & LIGHTING

I wanted to start a help thread that shares tips, tricks, and lighting information in Photo shop, and photography for all levels of experience. So Invite you all to share your tips , tricks , and lighting with the members here.. big_smile  big_smile

Let the magic begin...
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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Here is something for those who would like to document their lighting setups using photo shop.

LINK FOR MAKING LIGHTING DIAGRAMS
(provided by Brandon Ching):

Try this: (courtesy of kevin kertz)


To use...
1) Download file LightingSetup.psd.zip (size 200k)
2) Unarchive the Zip file
3) Open the Photoshop file: LightingSetup.psd. (size 500k)
4) The file defaults with a Background, Subject and 35mm Camera.
5) To view (add) an item, open the appropriate folder and click on the item (as seen below). You click on the "eye" icon to make it visible or to hide it.
6) Move and rotate into place.
7) Save a copy of your finished setup. Don't save over original file (for future use).

Let the magic begin...
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Curtis Wood
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Logan, Utah
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Top Re: TIPS & TRICKS & LIGHTING


-this is a very needed thread Kim.


:-)
:-)

THIS IS CURTIS WOOD'S TECHNIQUES AND TIPS

That he wanted to share with the group.

Contrast using a Black and White adjustment layer.

-here is a different yet simple way to improve contrast using a blending modes.

1. with an image loaded,create a black and white adjustment layer (CS3 or CS4).
2. adjust the red/yellow/cyan sliders etc to taste for contrast.
3. change blending mode on adjustment layer from "normal" to "overlay" or "softlight" and adjust opacity to suit.

simple yet effective.

for a twist to this tip, take the black and white adjustment layer and duplicate again. Make the topmost adjustment "softlight" and one below it "overlay" and adjust opacities to get the desired contrast look.

Peace Out.
big_smile  big_smile  big_smile  big_smile  big_smile  big_smile  big_smile  big_smile


here is a link to a Keyboard shortcut PDF for all versions of Photoshop.

... uts/#pscs4

-just download the PDF's for your version CS4, CS3, CS2, CS 7 6 etc and print if you like.

this is one of many places that have printable shortcut key lists.

by Curtis Wood on Thu Jun 25, 2009 8:08 am

-how about some cropping/composition tips?

Creating a 3rd's grid:
1. Edit > Preferences
2. Click on Guides, Grid & Slices
3. In the Gridline every box enter 33.33 and change pulldown to percent
4. Enter 1 for the subdivisions value
5. Click on ok

To show/hide the the guidlines:
-View > Show > Grid

Super calloused Fragile mystic Hexed by halitosis
Mary Poppins, I ain't!


by Curtis Wood on Thu Jun 25, 2009 8:16 am

-Another Cropping Tip

Do you have a hard time committing to a crop?

After marking the image to be cropped, but before commiting:
-In the options bar select "Hide" instead of "Delete"

now commit the crop by hitting the tick or Enter.

-You can now use the move tool changing the crop similar to moving a window.
-This can now be done at anytime durring your edit process.
-This allows you to change composition without re-cropping.

Super calloused Fragile mystic Hexed by halitosis
Mary Poppins, I ain't!

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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Curtis Wood wrote:


-this is a very needed thread Kim.

Let the magic begin...
http://www.pkmimages.com

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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Here's another technique for High End Skin Retouching........ 

1. Make a duplicate layer.

2. Desaurate a little bit. However, there still must be color remaining in the skin.

3. Make a duplication layer, go to filter > blur > surface blur, applied to the bottom layer to the point where no blemishes and no bumps can be seen. Starting point radius 30 and threshold is about 40. Can play around with settings to your liking.

4. Add noise to the smooth layer to give a natural look. Filter > noise > add noise. Represent the normal ridges that can be seen up close. Make sure the settings are on Gaussian with Monochromatic un -ticked. Again adjust the amount of noise you want.

5. Add a layer mask to the top layer and using a soft a dark opaque brush, starting opacity set at 20 gradually paint on the mask to reveal the smooth skin behind. ( Black will reveal & white will conceal )

Experiment with the settings to your liking. Have fun and practice, practice.

Let the magic begin...
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PKM IMAGES
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Super Laura the Super Perv wrote:
ok how about some help? I'm just so fucking retarded. O.K. I'm using photoshop 7.0.1 and for some reason now when I pull an image in it and hit control T, I go to resize it at that top. It doesn't give me the option to link and shrink down by % it only lets me change the pixels. I don't wanna do that cuz it will be out of whack. HELP!!!

To Change Image Size
-click on IMAGE->IMAGE SIZE on the menu bar
-the IMAGE SIZE DIALOG BOX opens, listing the current height, width, and resolution of the image -type a size for a dimension. If you want it to stay the same proportion, make sure the CONSTRAIN PROPORTIONS box is checked. Enter the correct resolution.
-click OK

To Change Selection Size
-make a selection with a selection tool
-click EDIT -> TRANSFORM -> SCALE
-click and drag a corner handle on the selection to scale on frthe horizontal and vertical axis
making sure that % on the horizontal and vertical axis are the same, this will ensure that the image stays in proportion.

Let the magic begin...
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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Just wanted to share this simple lighting setup with the photographers just learning about lighting.

http://i95.photobucket.com/albums/l147/pkmimage/ferrell_01-1AA.jpg

Let the magic begin...
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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Here is another setup I like to share. big_smile


http://i95.photobucket.com/albums/l147/pkmimage/dennis_01-1-1.jpg

Let the magic begin...
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JR Mandeville
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Top Re: TIPS & TRICKS & LIGHTING

I'll be hanging out here alot...I am clueless on the PS part of things.
I know how to Clone, Heal, and adjust color balance..basic burn and dodge..I actually have no clue as to do layers. Oh yea...I can crop and size. With that said I am enjoying this thread! big_smile

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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

JR Mandeville wrote:

I'll be hanging out here alot...I am clueless on the PS part of things.
I know how to Clone, Heal, and adjust color balance..basic burn and dodge..I actually have no clue as to do layers. Oh yea...I can crop and size. With that said I am enjoying this thread! big_smile

What are layers?

One of Photoshop's most powerful features is the use of layers. Each layer in a Photoshop document is a separate image which can be edited apart from any other layer. A layer can be envisioned as an image on a sheet of clear material. Together, all the layers form a stack of images.
Photoshop layers work in a similar manner, allowing the user to make changes to individual layers of an image file without affecting information on other layers.

When you open a photograph for the first time in Photoshop, the image shows as a single layer, called Background. New, separate layers can be created for any additions or changes to the image. Other images can also be added to the image as new layers. Layer modifications can be made to individual layers or to groups of layers in many ways.

Special features, like adjustment layers, layer masks, and layer styles, are also available for making sophisticated effects within an image.

The Layers Palette
The Layers palette is where all layers can be created, organized and grouped. You can create, name, link, and group all image layers. You can hide, show, or even change layer opacities. Text layers can be added and modified. There are also various layer commands and options available in the Layers palette menu.

The palette can be closed or minimized by clicking one of the buttons at the top, left of the palette . Clicking one of these buttons will apply to all palettes docked together.

The palette can be reopened from the Window tab in the Photoshop main menu or by keyboard function key F7.
Every file opened in Photoshop will initially have a layer named Background. This layer will be the actual image from the camera or scanner. If a new file is created within Photoshop, the layer will be all white by default, or transparent, or the current background color from the Tool palette .

This Background layer is always locked, meaning it cannot be repositioned or placed above other layers. Layer masks are not available the Background layer, but brushes and filters can be applied. It cannot be trashed unless first converted to an editable layer.

The Background layer can be converted to an unlocked, fully editable layer with the Layer Properties command. Converted Background layers are only supported as Photoshop .psd files.
New layers are created with the Create a new layer command button at the bottom of the palette. This looks like a sheet of paper with a corner turned up .
You can also use the Layer tab > New Layer command in the Photoshop main menu or by pressing Shift-?-N (Shift-Ctrl-N).
Clicking the icon will create a new layer named Layer 1. This layer will be 100% transparent, meaning that there is no pixel information yet on the layer. The checkerboard pattern of the layer thumbnail indicates layer transparency (figure 6).

You can copy a layer by dragging the layer over the Create a new layer icon. You can also use the Layer tab > Duplicate Layer command in the Photoshop main menu or by pressing ?-J (Ctrl-J).

The light blue color of the layer indicates that it is the active layer. Any tools, commands, or filters are applied only to active layers.
The background layer is always locked in position and is indicated as such with the lock symbol to the right of the layer name.

Other layers may be locked with the Lock menu icons near the top, left of the Layers palette. You have the option to lock transparent pixels, lock image pixels, lock position, or lock all.
A layer can be locked to protect transparent pixels, or image pixels, or to lock in position.
Any of these three locked states is represented with the light-color lock icon next to the layer name.
At the bottom of the Layers palette is a robust set of layer tool buttons .
These buttons are for:
Linking layers
Adding layer styles (such as drop shadows)
Creating a layer mask
Creating an adjustment layer
Creating a layer group (set)
Creating a new layer
Discarding a layer (trash)
Resizing the layer palette window

Layer visibility can be turned on/off with the eye icon to the left of each layer thumbnail. To turn off layer visibility, click on the eye. The eye will disappear . Click again in the empty square to turn layer visibility back on again.

You can also use the Layer tab > Hide Layers/Show Layers command in the Photoshop main menu.

Non-visible layers cannot be modified with filters or paint tools, however they can be repositioned.
Blending modes can be assigned to individual layers . These are the same blending modes that are available for Photoshop paint tools. The default setting is Normal.

These layer-blending modes can be used with great results. We encourage Photoshop users to explore the possibilities of using these modes. For most situations, however, this should be set to Normal.
Layer opacity (visibility) can be set with percentage values with fully opaque layers are set at 100% opacity. There are two methods for setting layer opacity in the layers palette.

The Opacity and Fill layer percentages can be set anywhere from 0% (invisible) to 100% (fully visible). These can be set by typing a value in the text field or using the value slider accessible with the arrow on the right of the field.

These two options are very similar. Opacity changes will proportionally affect any layer effects applied. Fill changes will not change any layer effects.

The Opacity setting can also be set in 10% increments with a keystroke when the Move tool is selected. Simply press a number, such as 3 for 30% or 8 for 80%. Settings can also be set from the main menu tab Layer > Layer Style > Blending Options.
ayer options are accessible by clicking on the encircled arrowhead at the top, to the right of the palette. You can duplicate, delete, merge, group, or flatten layers from this pop-up window.

Unavailable options for that layer are grayed out. On a mouse rollover, the option will highlight in a blue bar.

Let the magic begin...
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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Here's a nice tittle tool to use in adobe photoshop. big_smile
Using the patch tool.

1)   With your photo open in Photoshop, duplicate the photo layer (layer/duplicate layer).

2)   Select the patch tool from your toolbar (see photo). The patch tool looks like a weird little patch, and might be hiding under the healing brush, which looks like a bandage.

3)   Make sure that "source" is selected from the control bar at the top of your screen.

4)   The patch tool creates clean edits in seconds!
With the patch tool selected, draw a freeform selection around an area of your photo. Marching ants will appear. Then drag the selection to the nearest area of the same detail and color.

Let the magic begin...
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JR Mandeville
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Top Re: TIPS & TRICKS & LIGHTING

I've got smoke coming out of my ears over Layers...
This alone is going to take awhile to grasp...Very cool!

Thanks ~Joe~

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Curtis Wood
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Hi guys!

Think of layers as glass filters for the image....
-you can use a certain filter to bring out or suppress reds.
-another filter may be used to improve or remove color - saturate or desaturate.
-another filter may be used to improve contrast.

these layers can be stacked upon the background image to improve contast, add or subact saturation etc.

-you can also change the "opacity" of these layers (think of it as filter density or opaqeness).

Play with these a bit till you kind of get the feel.  If you were an animator, you could also think of layers as onion skin.
- the layer of onion could hold certain detail for the cell shading.
- it could be a certain color of gel to enhance detail in the cell.

all in all layers are just part of a stack that allow manipulation of the image with-out actually altering that base image.

so far so good? Hopfully this puts some of the smoke out.

:-)

Super calloused Fragile mystic Hexed by halitosis
Mary Poppins, I ain't!

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Super Laura the Super Perv
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Top Re: TIPS & TRICKS & LIGHTING

I have a bunch of black and white images that are so killer only problem is they are a little dark, is there a quick easy way to lighten them overall? I have tried this in microsoft office picture manager because I don't need certain areas lightened I need the entire picture lightened. I have photoshop but I also need a helmet to function so can you put this in helmet girl terms in photoshop? Here is an example of a pic I want to lighten.

http://img269.imageshack.us/img269/6462/shootwithfreschklesch07.jpg

I am one of those fancy pants TI people so please feel free to pm with any questions, or ideas, or complaints, or recipes, or to tell me how wonderful I am, you know anything. I'm here for ya.

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Curtis Wood
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Super Laura the Super Perv wrote:

I have a bunch of black and white images that are so killer only problem is they are a little dark, is there a quick easy way to lighten them overall? I have tried this in microsoft office picture manager because I don't need certain areas lightened I need the entire picture lightened. I have photoshop but I also need a helmet to function so can you put this in helmet girl terms in photoshop? Here is an example of a pic I want to lighten.

http://img269.imageshack.us/img269/6462/shootwithfreschklesch07.jpg

-sure Laura there are a several ways to accomplish this easily in PS....

1. add an adjustment layer for exposure and push the exposure up.
-or
2. add a brightness contrast layer pushing brightness up.
-or
3. I would try a curves layer and make a gentle "S" shaped curve leaving mids anchored in the center.

-I would then adjust the opacity of the layer to suit.

-this help?


:-)

Super calloused Fragile mystic Hexed by halitosis
Mary Poppins, I ain't!

TeamInsider member - PM me if you have any questions or visit us in the chat.

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PKM IMAGES
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There's several ways Laura. 1. you can use the levels sliders, or 2. use the brightness & contrast sliders.  TRy those for basic adjustments. big_smile

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Gibson Photo Art
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I hope this is ok and works the way I think it will.

http://i427.photobucket.com/albums/pp357/GibsonPhotoArt/GPAPort1wdiag.jpg

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PKM IMAGES
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Gibson photo art, Thanks for sharing your lighting setup.

Let the magic begin...
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Gibson Photo Art
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PKM IMAGES wrote:

Gibson photo art, Thanks for sharing your lighting setup.

Anytime. I should put up some more for you guys. I love to share and learn.

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Gibson Photo Art
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PKM IMAGES wrote:

Gibson photo art, Thanks for sharing your lighting setup.

Anything from my port you think would be good for this thread?

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GeM Photographic
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Gibson Photo Art wrote:

PKM IMAGES wrote:

Gibson photo art, Thanks for sharing your lighting setup.

Anytime. I should put up some more for you guys. I love to share and learn.

Question about the octabox - how large of one do you use (the only one I've used was huge) and when you mount it to the boom, is it perpendicular to the floor (the way I've done) or above and angled down?

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PKM IMAGES
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Top Re: TIPS & TRICKS & LIGHTING

Keep bringing in the great tips & tricks & lighting techniques, and thanks for sharing. ]

Let the magic begin...
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Marco
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Top Re: TIPS & TRICKS & LIGHTING

When young photographers visit our studio, and perhaps see our setups for a modelshoot,
most of them are surpriced about our use of grids (honeycombs).

For some strange reason, most of these guys use only umbreallas and softboxes,
and might only considder buying a snoot.

My advice always is to forget about the snoots; they simply aren't effective enough.
A grid usually is two stops more efficiant, thereby saving power, and minimising heat build-up.

The next - logical ? - question is, what size grid they should use:
"What if I wanna light the full body of a model ?
Then you should - of cause - use your LARGEST grid, typically a 32 deg.
"How far should this then be away from the model ?"

- and to help them solve this, I give them this formular:

http://farm3.static.flickr.com/2631/3805555552_d2e29c7934_o.jpg

Example:
You have a 32 degree grid, and your motiv is 180 cm tall:

32/2 = 16
TAN 16 = 0,287 (aapx)
0,29 x 2 = 0,573 (appx)
180 / 0,57 = 313

So your lamp and grid should - in theory - be 313 cms away from your model !
In real life things might of cause be SLIGHTLY different,
but this is real good guide for anybodys initial preparations,
and works for feet / inches too

[ - more of this tech-nonsense on request   ]

Marco/

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Marco
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The above formular can also be used prior to a shoot, to establish your working distance,
once you have the angle of view of your lens, and the height of your motiv.

Example:

You are planing on shooting a 3/4 of a model.
From mid-thigh and to just aboove her head, she measures 120 cm.
Your lens is a 135mm, which has a vertical angel of view of 15 degress
( - when in portrait orientation !)

15 / 2 = 7,5

TAN 7,5 = 0,132...

2 x 0,132... = 0,263...

120 / 0,263... = 455 centimeter working distance.

"Proper Prior Planing, Prevents Pour Performance"  tongue

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PKM IMAGES
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Thank you Marco for sharing. big_smile

Let the magic begin...
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